As a landscape photographer, I usually take pictures from the ground. But since I bought a drone, I can see the world as a bird does. Drone is a fantastic tool (toy) for landscape photographers, but it needs some practice to master the shots.

This morning, I made this video to practice several editing techniques.

I combined footage from different sources—drone, action camera—added ambient sounds, and synchronized the images with the music.
It’s not perfect because I started with unplanned shots.
Writing a script would have been better. Anticipating the scenes would have ensured smoother framing and drone movements.

But I’m not unhappy with the result.

My drone is a DJI Mini 3 pro and my sport camera a DJI Action 2 Dual screen.

Of course, getting great aerial shots also depends on understanding light and exposure. The exposure triangle applies just as much to drone photography as to ground-level shooting — choosing the right aperture, shutter speed and ISO is critical when the light changes fast at altitude. For backing up all these drone files safely, my digital archiving workflow with a Synology NAS is essential.

Some of the landscape scenes captured during these drone sessions have made it into the fine art print collection. Browse the shop to see the full series — limited to 30 copies, signed and produced by Whitewall.

Why a drone changes everything for coastal landscape photography

Ground level is where most landscape photographers spend their entire career. And for good reason — the relationship with the earth, the light hitting the rocks, the spray of the waves — all of that is felt at eye level. But a drone adds a dimension that simply doesn’t exist from the ground: the ability to reveal the geometry of a coastline.

From the air, the Brittany coast becomes something else entirely. The patterns of rock and sea that are invisible from the shore — the way a reef emerges at low tide, the exact curve of a bay, the colour contrast between turquoise shallows and deep water — these only reveal themselves from above. It’s not a better perspective than ground level. It’s a complementary one, and for certain subjects, it’s irreplaceable.

The real challenge: splitting your attention

Here’s what nobody tells you before you buy a drone: piloting and making images at the same time is genuinely hard. Not technically — the DJI Mini 3 Pro is remarkably easy to fly. The difficulty is cognitive. Your brain is simultaneously managing flight safety, wind conditions, battery life, framing, exposure, and the movement of the drone through space.

In my early sessions on the Brittany coast, I found myself so focused on keeping the drone stable in the coastal wind that I was barely thinking about the image. The shots were technically correct but visually flat — no intention, no composition, just documentation.

The solution I’ve found: treat drone photography exactly like ground-level photography. Plan the shot before you launch. Know your subject, know the angle you want, know the light. The more decisions you make on the ground, the fewer you have to make in the air.

DJI Mini 3 Pro — honest assessment for landscape work

After several sessions on the Breton coast, here’s my honest verdict:

What it does exceptionally well — image quality is genuinely impressive for a drone this size. The sensor handles coastal light well, and the ability to shoot in RAW gives you real flexibility in post-processing. The stabilisation is excellent, which matters enormously when you’re shooting long exposures or video over moving water.

The real limitation: 20 minutes of flight time — this is the constraint that shapes every session. Twenty minutes sounds reasonable until you’re on a remote headland and you realise you’ve spent eight minutes just positioning for the shot you wanted. My workflow now: one battery, one subject, full preparation on the ground before takeoff. If a location deserves more coverage, I bring two batteries.

Wind — coastal environments are where drones earn their keep and where they also show their limits. The Mini 3 Pro handles moderate coastal wind well, but a strong onshore wind on an exposed Brittany headland will drain your battery faster and limit your ability to hold a precise position. Always check the wind forecast before heading out.

Practical settings for coastal aerial photography

For still photography over the Brittany coast, my starting point:

• ISO 100 whenever the light allows — coastal light is often bright and harsh, and keeping ISO low preserves the fine detail in water and rock textures
• Aperture f/5.6 to f/8 — the sweet spot for sharpness on the Mini 3 Pro’s fixed-aperture lens equivalent
• Shutter speed 1/500s minimum if there’s any wind — even a stabilised drone in wind introduces micro-movement that a slow shutter will capture

For video, I follow the 180-degree rule: shutter speed twice the frame rate. At 25fps that means 1/50s, which often requires an ND filter in bright coastal conditions. The DJI ND filter set is worth having from day one.

Regulations — what you need to know in France

Drone regulations in France have tightened significantly. Before flying anywhere on the Brittany coast, check the Géoportail map for restricted zones — the coastal strip near military installations and certain nature reserves is off-limits. In the UK for Scotland shoots, the CAA’s DroneAssist app is the equivalent tool.

The DJI Mini 3 Pro at 249g stays under the weight threshold that triggers the most restrictive regulations in both France and the UK, which is a genuine practical advantage beyond just portability.

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