ATLANTIC COASTS · BRITTANY & ISLE OF SKYE · SINCE 1986

Slow down.
Let the coast come to you.

Five-day photographic expeditions for experienced photographers, on the shores I have walked for forty years. Four places per week. No checklist, no rush — time to wait for the light and receive the photograph rather than chase it.

Black and white square photograph of the Phare du Four lighthouse, Finistère, with a large Atlantic storm wave breaking against rocks.
Phare du Four, Finistère · The Fury and the Grace
Black and white photograph of the Petit Minou lighthouse in Brittany on a rocky cliff against a rough sea and misty sky.

FOR PHOTOGRAPHERS

Travel with me

A working week on my coast, in small groups or one-to-one. Storms in Finistère, light on Skye.

See the expeditions →

Black and white photograph of Mont-Saint-Michel emerging from morning fog, three sailboats in the foreground.

FOR COLLECTORS

Collect the work

Three series from the Atlantic edge. Each image printed in five copies only, signed and numbered.

Enter the collection →

THE EXPEDITIONS

Not a tour. A week on ground I know.

Locations I have returned to for decades, timed to tide, season and light. Accommodation, transport and guiding taken care of — so the only thing left to do is be there.

FINISTÈRE · BRITTANY

Atlantic Storms

Five days reading the swell and the sky, pre-dawn departures, and the brief gold between two squalls.

Autumn · 4 photographers · 5 days, all-inclusive
From €1,750

Join the 2027 list →

ISLE OF SKYE · SCOTLAND

Skye Expedition

Moorland, sea lochs and shifting light, walked at the pace of someone who knows where to stand — and when.

Dates announced each January · 4 photographers · 5 days
€2,290

Reserve a place →

BRITTANY OR SKYE · ONE-TO-ONE

The Private Week

Five days, just the two of us. The coast, the rhythm and the dates are shaped entirely around you.

Dates of your choice · 1 photographer · 5 days
€5000

Start a conversation →

What a week feels like

01 — Before

A personal call to understand your work, your gear and what you are missing. The week is planned around you.

02 — On the coast

Early starts, long waits, the sound of the sea. Every evening, a quiet review of your own frames while the day is still fresh.

03 — After

A follow-up session on your edit, and a signed print to keep the memory of what you lived out there.

NOT READY TO BOOK? · FREE FIELD GUIDE

Tide, Light & Timing

How I read tides, anticipate light and choose the moment on the Atlantic coast. Yours when you join The Photographer’s Letter: notes from the field, first access to expedition dates and new editions. Every Saturday morning, one email only.

“The photograph is not taken. It is received.”

Olivier Ovaguimian

FROM PAST PARTICIPANTS

“What an emotional experience, reconnecting with my roots. Thanks to Olivier, my images go far beyond mere memories; they are tributes to this land of mysteries.”

Richard · Boston – USA· Skye – 2025

“A dream week to boost my photography practice. A prime setting, a tailor-made coach.”

Angelica · Venezia – Italy· Brittany – 2025

THE COLLECTION

Five copies. Never more.

Square black-and-white prints on fine art paper, signed, numbered and delivered with a certificate of authenticity and the story behind the image.

Black and white photograph of the Quiraing basalt pinnacles, Isle of Skye.

Memory of Stone

The coast in its mineral permanence.

Black and white photograph of a maritime beacon struck by a massive wave exploding into sea spray under a dark sky.

The Fury and the Grace

The Atlantic in its extreme moods.

Black and white photograph of a solitary walker at Goulien, Crozon peninsula, Finistère.

Atlantic Silences

Stillness, long exposures, the sea at rest.

THE PHOTOGRAPHER

Forty years on the same coasts.

Born in Brittany, I took my first photograph in 1986 and never stopped returning to the Atlantic edge — Finistère first, then the Isle of Skye, long before the bridge was built.

For years I led hospitals. Today I devote my time to the work and to the few photographers who come to share these places with me — organised with the same care, lived with the same patience.

Read the full story →

FROM THE JOURNAL

Latest articles

From RAW to Fine Art Print

Olivier Ovaguimian outlines a comprehensive workflow for transforming a coastal landscape RAW file into a fine art black-and-white print. Key steps include capturing with intention, careful tonal conversion, soft-proofing, selecting suitable paper and printer, and preparing the final file. The approach emphasizes preserving image quality across different viewing mediums.

Read →

Why I Shoot in Square Format: My Creative Choice as a Landscape Photographer

Olivier Ovaguimian shares insights on why he prefers the square (1:1) format in landscape photography, particularly along the Atlantic coast. The square enhances balance, simplifies composition, and isolates subjects effectively. While not superior to wide frames, it suits stillness and minimalism, offering a contemplative viewing experience.

Read →

Why Landscape Photography Taught Me to Be Still

The content reflects on the transformative lessons learned through landscape photography, emphasizing the importance of stillness and patience. The author contrasts their fast-paced hospital life with the timelessness of nature, discovering that true photographic moments come from being present rather than hurrying. This philosophy influences both personal and professional life.

Read →